WINNER OF THE GUARDIAN FIRST BOOK AWARD Once we thought monsters lived there. In the Enlightenment we scaled them to commune with the sublime. Soon, we were racing to conquer their summits in the name of national pride. In this ground-breaking, classic work, Robert Macfarlane takes us up into the mountains: to experience their shattering beauty, the fear and risk of adventure, and to explore the strange impulses that have for centuries lead us to the world's highest places.

Spell Songs is a musical companion piece to The Lost Words: A Spell Book by author Robert Macfarlane and artist Jackie Morris. This mixed media CD is accompanied by sumptuous illustrations from Jackie Morris, new 'spells' by Robert Macfarlane, enlightening thoughts by Robert, Jackie and Spell Singer Karine Polwart and stunning photography by Elly Lucas. In 2018 Folk by the Oak Festival commissioned Spell Songs because of their love of The Lost Words book. Spell Songs comprises eight remarkable musicians whose music engages deeply with landscape and nature; musicians who are perfectly placed to respond to the creatures, art and language of The Lost Words. They spent a week in Herefordshire bringing this music together in the company of Jackie Morris. Art inspired music and music inspired art. Jackie Morris immersed herself in the musical residency where she generously created new iconesque artwork of each musician and their instruments portrayed in an unexpected and enchanting way. These stunning new artworks accompany the CD. Spell Songs allowed these acclaimed and diverse musicians to weave together elements of British folk music, Senegalese folk traditions, and experimental and classical music to create an inspiring new body of work. Here are 14 songs which capture the essence of The Lost Words book. Spoken voice, whispers, accents, dialects, native languages, proverbs, sayings, birdsong, river chatter and insect hum all increase the intimacy of the musical world conjured by the songs. Inspired by the words, art and ethos of The Lost Words book, each musician brings new imaginings, embellishments and diversions which are rooted in personal experience, a deep respect for the natural world, protest at the loss of nature and its language and an appreciation for wildness and beauty. In February 2019 Spell Songs enjoyed standing ovations at sell-out performances in major venues across the UK culminating at The Queen Elizabeth Hall at the Southbank Centre, London. Spell Songs was a highlight of The Hay International Literary Festival 2019 and in August 2019 they were invited to perform at the BBC's Lost Words Prom in the Royal Albert Hall. They will continue to tour each year. "There are songs here that would live with me for the rest of my years, even if I'd had no part in their making". Robert Macfarlane

A landmark publication that captures the beautiful richness of every aspect of trees and their importance for science, culture and the future of humankind. Trees feed us, shelter us, inspire us and heal us. In a world facing the destruction of the Amazon rainforest and a pressing climate emergency, the importance of these primeval beings in shaping our future is hard to understate. Generously illustrated and organized according to tree lifecycle - from seeds, leaves and form to wood, flowers and fruit - this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Exquisite details are rendered by surprising photography and infographics: intricate bark and leaf patterns, intertwined ecosystems, colourful flower displays, archaic wooden wheels and timber houses. Integral to science, art and culture, fundamental and fragile, dependent and depended on, the vitality of trees is revealed like never before.

Are there any genuinely wild places left in Britain and Ireland? Or have we tarmacked, farmed and built ourselves out of wildness? In his vital, bewitching, inspiring classic, Robert Macfarlane sets out in search of the wildness that remains.

Reissue of J. A. Baker's extraordinary classic of British nature writing, with an exclusive new afterword by Robert Macfarlane. J. A. Baker's extraordinary classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing. Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent long winters looking and writing about the visitors from the uplands - peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. This new edition of the timeless classic, published to celebrate the 50th anniversary of its first publication, features an afterword by one of the book's greatest admirers, Robert Macfarlane.

Beautiful books make unforgettable Christmas gifts. This pocket-sized treasure is the perfect gift for fans of nature, language and rich artwork, adult and child alike! Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris. Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all celebrates a sense of wonder, bearing witness to nature's power to amaze, console and bring joy. Written to be read aloud, painted in brushstrokes that call to the forest, field, riverbank and also to the heart, The Lost Spells summons back what is often lost from sight and care, teaching the names of everyday species, and inspiring its readers to attention, love and care. 'Luminously beautiful. An amulet in dark times, to be carried like a talisman out into the world, where it is very much needed' Dara McAnulty 'A book about spells that succeeds in being spell-binding in its own right . . . It already feels like a true classic. Buy one copy for yourself and any others for as many children as you can afford' Books for Keeps

Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

THE TIMES AUDIOBOOK OF THE YEAR 'The finest book ever written on nature and landscape in Britain' Guardian In this masterpiece of nature writing, beautifully narrated by Oscar-winning actor Tilda Swinton, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

Holloway - a hollow way, a sunken path. A route that centuries of foot-fall, hoof-hit, wheel-roll and rain-run have harrowed deep down into bedrock. In July 2005, Robert Macfarlane and Roger Deakin - author of Wildwood - travelled to explore the holloways of South Dorset's sandstone. They found their way into a landscape of shadows, spectres & great strangeness. Six years later, after Roger Deakin's early death, Robert Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. The book is about those journeys and that landscape. Moving in the spaces between social history, psychogeography and travel writing, Holloway is a beautiful and haunted work of art.

In Underland, Robert Macfarlane delivers an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time-from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come-Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

A beautiful new edition of a classic work of landscape history, in which Alfred Watkins introduced the idea of ancient 'ley lines' criss-crossing the English countryside. First published in 1925, The Old Straight Track described the author's theory of 'ley lines', pre-Roman pathways consisting of aligned stone circles and prehistoric mounds, used by our Neolithic ancestors. Watkins's ideas have intrigued and inspired generations of readers - from historians to hill walkers, and from amateur archaeologists to new-age occultists. This edition of The Old Straight Track, with a substantial introduction by Robert Macfarlane, will appeal to all who treasure the history, contours and mystery of Britain's ancient landscapes.

The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world. Since its publication in 2017, The Lost Words has enchanted readers with its poetry and illustrations of the natural world. Now, The Lost Spells, a book kindred in spirit and tone, continues to re-wild the lives of children and adults. The Lost Spells evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers' minds. Robert Macfarlane's spell-poems and Jackie Morris's watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read The Lost Spells is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.

THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE The original bestseller from the beloved author of UNDERLAND, LANDMARKS and THE LOST WORDS - Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape 'The Old Ways confirms Macfarlane's reputation as one of the most eloquent and observant of contemporary writers about nature' Scotland on Sunday Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations. 'Sublime... It sets the imagination tingling, laying an irresistible trail for readers to follow' Sunday Times 'Read this and it will be impossible to take an unremarkable walk again' Metro 'He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful' Antony Gormley

This sumptuous and comprehensive evaluation showcases Smith's 1815 hand-coloured map, A Delineation of the Strata of England and Wales, with part of Scotland, and illustrates the story of his career, from apprentice to fossil collector and from his 1799 geological map of Bath and table of strata to his detailed stratigraphical county maps. The introduction places Smith's work in the context of earlier, concurrent and subsequent ideas regarding the structure and natural processes of the earth. The book is then organized into four geographical sections, each beginning with four sheets from the 1815 strata map, accompanied by related geological cross sections and county maps (1819-24), and is followed by displays of Sowerby's fossil illustrations (1816-19) organized by strata. Interleaved between the sections are essays by leading academics that explore the aims of Smith's work, its application in the fields of mining, agriculture, cartography, fossil collecting and hydrology, and its influence on biostratigraphical theories and the science of geology. Concluding the volume are reflections on Smith's later work as an itinerant geologist and surveyor, plagiarism by his rival - President of the Geological Society, George Bellas Greenough - receipt of the first Wollaston Medal in 1831 in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, culminating in the establishment of the modern geological timescale.

From J. G. Ballard, author of 'Crash' and 'Cocaine Nights' comes his extraordinary vision of an African forest that turns all in its path to crystal. Through a 'leaking' of time, the West African jungle starts to crystallize. Trees metamorphose into enormous jewels. Crocodiles encased in second glittering skins lurch down the river. Pythons with huge blind gemstone eyes rear in heraldic poses. Most flee the area in terror, afraid to face a catastrophe they cannot understand. But some, dazzled and strangely entranced, remain to drift through this dreamworld forest: a doctor in pursuit of his ex-mistress, an enigmatic Jesuit wielding a crystal cross and a tribe of lepers searching for Paradise. In this tour de force of the imagination, Ballard transports the reader into one of his most unforgettable landscapes. This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including James Lever, Ali Smith, Hari Kunzru and Martin Amis) and brand-new cover designs.

From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS - an essay on the joy of reading, for anyone who has ever loved a book Every book is a kind of gift to its reader, and the act of giving books is charged with a special emotional resonance. It is a meeting of three minds (the giver, the author, the recipient), an exchange of intellectual and psychological currency, that leaves each participant enriched. Here Robert Macfarlane recounts the story of a book he was given as a young man, and how he managed eventually to return the favour, though never repay the debt. From one of the most lyrical writers of our time comes a perfectly formed gem, a lyrical celebration of the transcendent power and humanity of the given book.

A beautiful gift for the intrepid explorer in your life by one of the most acclaimed and beloved nature writers working today, the internationally bestselling, prize-winning author of Landmarks, The Lost Words and The Old Ways A SUNDAY TIMES BESTSELLER WINNER OF THE WAINWRIGHT PRIZE 2019 WINNER OF THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARD 2020 'You'd be crazy not to read this book' The Sunday Times A Guardian Best Book of the 21st Century In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart. SHORTLISTED FOR THE RSL ONDAATJE PRIZE 2020 'Macfarlane has invented a new kind of book, really a new genre entirely' The Irish Times 'He is the great nature writer, and nature poet, of this generation' Wall Street Journal 'Macfarlane has shown how utterly beautiful a brilliantly written travel book can still be' Observer on The Old Ways 'Irradiated by a profound sense of wonder... Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent on Landmarks 'It sets the imagination tingling...like reading a prose Odyssey sprinkled with imagist poems' The Sunday Times on The Old Ways

Winner of 'Best New Writer' - British Sports Publishing Awards. Winner of the 'Bill Rollinson Prize for Landscape and Tradition' - Lakeland Book Awards Shortlisted for the William Hill Sports Book of the Year Award and for the Boardman-Tasker Prize. An inspiring insight into one of the oldest extreme sports, and a lyrical tribute to Britain's mountains and the men and women who live among them, this is the definitive story of fell-running. With an introduction from bestselling author Robert Macfarlane, this is a complete portrait of one of the few sports to have remained utterly true to its roots - in which the point is not fame or fortune but to run the ancient, wild landscape, and to be a hero, if at all, within one's own valley. Richard Askwith's journey takes him into a world of forbidding rockscapes, horizontal rain, fear, exhaustion and stunning natural beauty, as well as his own attempt at one of the purest and toughest challenges imaginable: the Bob Graham Round, the sport's traditional test of 42 Lake District peaks in 24 hours. Along the way, he encounters some of the most prodigious - and unsung - athletes Britain has produced, such as Joss Naylor, who covered the equivalent of four Everests in a single run. Gripping, funny and moving, this is a story that any aspiring runner, endurance athlete or mountain-lover will understand well: of extremity, heroism and the experience of a lifetime.

‘My favourite book about the wilderness’ Cheryl Strayed, author of Wild In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service. Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon. In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.

A Poetry Book Society Special Commendation Autumn 2022. [To] The Last [Be] Human collects four extraordinary poetry books-Sea Change, PLACE, fast, and Runaway-by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience. Graham's poems are turned to face our planet's deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when "the future / takes shape / too quickly", when we are entering "a time / beyond belief". They know, these poems, and what they tell is precise to their form... Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a "whirling robe humming with firstness". To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book: The earth said remember me. The earth said don't let go, said it one day when I was accidentally listening